Showing posts with label Music reviews. Show all posts
Showing posts with label Music reviews. Show all posts
Thursday, 17 May 2012
Perfume Genius 'Put Your Back N 2 It' album review (for kevchino.com)
View the original article HERE.
Described on his record label’s website as ‘…a gorgeous soundtrack for anyone trying to keep it together in everyday life,” Put Your Back N 2 It is the latest release from Perfume Genius, aka Seattle singer-songwriter Mike Hadreas. Hadreas himself states, “Everyone has stuff. Staying healthy can be more depressing and confusing than being fucked up. But I want to make music that’s honest and hopeful.”
It may then come as a shock to some that this album made me want to curl up into a ball and die. It is fairly obvious from this collection of slow, sad but sometimes sweet, macabre sonnets that Hadreas has fought some battles in his life, and it seems he carries the remnants of them heavy on his shoulders. Rest assured, this makes for great creative fodder, and the tracks are truly heartfelt, powerful, and emotionally charged. “Honest” is definitely a word I would use to describe them. “Hopeful” is not.
While tracks such as “Dark Parts” (about Hadreas’s mother) and “Take Me Home” (a self-professed “pop song about hookerism”) have elements of hope about them both lyrically and musically—as well as being slightly more upbeat and uplifting in their musical traits—the bulk of the tracks have a slow and morbid sound with lamenting and reflective overtones. His constant use of brooding piano, ambient background arrangements, and heavyhearted subject matter coupled with his listless, almost whispering vocals, can make the album quite draining on one’s psyche. While I’m sure this is what was intended—to make the listener come to terms with their demons and their shady past and accept them for what they are—I’m not sure that’s what I want to do when I sit down to listen to an album.
Various tracks, such as “17,” “All Waters,” and title track “Put Your Back N 2 It,” touch on the trials and tribulations of being a gay man and give beautiful and raw insight into a life that some of us will never know. “AWOL Marine” and “Floating Spit” touch on how far human beings are willing to go before they hit rock bottom, juxtaposing the subject matter with light and airy piano melodies, synthesizer, and samples. The standout track is definitely “Hood,” a melodic, soulful, fast-tempo ballad of what comes of baring your inner self to someone else.
While this is a truly emotional and honest album from Hadreas, a blatant and no-holds-barred baring of the soul, brought together it can become overbearing and just too much to take in. It’s good that people going through the same life experiences can realize they’re not alone through Perfume Genius’s music, but an album of this bemoaning ilk is not going to make them get up, shake off their demons, and move on with their life. Beautifully crafted, heart-achingly honest, but way too heavy both lyrically and musically.
Saturday, 17 September 2011
Stephen Malkmus & The Jicks 'Mirror Traffic' review (for kevchino.com)
See the original article posted HERE!
Stephen Malkmus and The Jicks are a great band, and definitely the only good thing to come of the 1999 dissolution of Pavement. With ever-evolving members coming from acts such as Sleater-Kinney and The Decemberists, the musical talent within this band is astonishing before even touching on the abilities of their well-known lead singer.
Mirror Traffic is the band’s fifth studio release, and by collaborating with none other than Beck, it seems they're just getting better and better. A full-bodied album with great eclectic depth and musicianship, Mirror Traffic is the perfect punchy, rocky, upbeat, dance-around-the-house-on-a-Sunday-afternoon-in-your-underwear soundtrack. It's fifteen sweet tracks of glorious vocals and melodies that will make you want to sing out loud.
The signature Malkmus melodic guitar and vocals are ever present throughout, but the album has an underlying tone of bluesy rock that definitely sets it apart. Coupled with that true indie rock sound (of course reminiscent of Pavement at times), the result is a triumphant collection of rock-out tracks, tongue-in-cheek ballads, and lyrical metaphorical twists and turns. “Senator” is a tight, cutting, punchy song, perfectly matched to its political content: “I know what the senator wants / What the senator wants is a blow job.” “Spazz” follows suit with erratic riffs and time changes, reverting to a raw punk sound, as is also done in “Tune Grief.” “All Over Gently” is a humorous look at breakups that all couples should live by: “There's been some soft grass growing between us / When they talk about bad blood, they don't mean us.”
But it must be said that the standout track of the album is “Share the Red,” a slower, cruise-ier, more blues-laden ditty that warms the heart—“Have you no tears, have you no heart / You've got no idea what sets you apart, and still you're winning”—and includes some great guitar solos to boot. Plus, the epic climaxes at the end of almost every track make the song endings just as anticipated as their beginnings.
An amazing offering from an amazing act that will never disappoint. Enjoyable, inspiring, full of character, and impossible to turn off.
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