Tuesday 10 April 2012

The Maccabees 'Given To The Wild' album review (for kevchino.com)



The UK’s favorite lads the Maccabees are back with their highly anticipated new offering, Given to the Wild. With such fine efforts given previously in Colour It In and Wall Of Arms, the band set the bar quite high and have failed to disappoint.

There’s no question Given to the Wild differs greatly to their previous offerings and is a much more intricate album. The tracks have a lot more depth and weight to them involving an eclectic range of instruments, lots of layering, and some great production. The album has an almost esoteric sound, like the whole band went on a month-long Yoga retreat to find themselves, and what they found was utterly creative and inspiring.

The first single from the album, “Pelican” is pretty much the only solid-sounding rock song present. It’s punchy, poppy, and has the Maccabees’ usual edge to it. The remainder of the tracks play like a soundtrack that run into one another in a dreamlike state, ebbing and flowing across a rich musical landscape. The starting track, “Given to the Wild (Intro),” opens almost like a soundtrack with minimal vocals and soft instrumentals, leading into “Child,” which starts off slow, but eases into a faster finish with the band’s signature disco drums and high-paced guitars.

“Glimmer” does just that, with sparkling guitar riffs and floating melodies, followed by the eerie and macabre “Forever I’ve Known,” which features less of the higher-toned vocals you hear throughout the album and more of the old English-accented vocals we’re used to. “Went Away” is one of the more electronic-sounding tracks on the album, an upbeat piece with good solid drums and sweet dripping guitar melodies. “Go” is another electronic-based track with nice fades, interesting bass lines, and some beautiful guitar solos.

Given to the Wild is by far the most complex album produced yet by the Maccabees. It takes you places you never thought they’d go, and they do it well. But one can’t help feeling they’ve lost a little of their musical innocence on this album, which was part of their allure and charm on previous albums. The vocals and guitar effects are much more heavily produced, and the little simplicities of the previous two efforts that brought them such critical acclaim have been lost. That said, all bands must grow up at some stage, and the Maccabees are surely one you can take home to Mum. They have definitely matured beyond their years musically and created an album already fit for the top ten of 2012.

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